I’m a fan of both Firefox and Safari and regularly use both on my Macs. I like Firefox because it lacks some of Safari’s “Squirrely-ness” with some websites –particularly those using scripting, and I like Safari for private browsing, and because it is so fast. So after a day of use, am I prepared to drop Safari forever for the Fox? Click through, and lets discuss.
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Written by Leigh McMullen on June 18th, 2008 with no comments.
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Mac users seem split on whether Mac OS X’s Dashboard is the Best Thing Ever or a mildly irritating component that’s accidentally accessed when fingers stray on to a function key. Opinion appears to be drifting towards the latter option, but there are a few Dashboard widgets that are staggeringly useful.
For some, the Dashboard mechanism itself is the main barrier to working with widgets. Although Vista didn’t win fans by grabbing a chunk of desktop space for its Dashboard wannabe, having the option for widgets to remain on-screen would doubtless be handy for many Mac users, and it’s this functionality that shareware application Amnesty Singles provides.
The interface is pretty much idiot-proof. You drag a widget from Finder to the whopping great arrow in its sole window, decide whether you want to create a standalone bundle or an application with a dependency on the original widget (as in, nuke the original and your Amnesty application won’t work), and click ‘Build’. Once Amnesty Singles does its thing, your app will be sitting wherever you saved it, ready for use.
When the application is launched, it should work like the original widget, but free from Dashboard. (Quick caveat: not every widget we tried worked and a few simply aren’t suited to being outside Dashboard; most, however, work fine.) Using your new application’s menus, you can force it to desktop or ‘on top’ level, along with defining a refresh rate. With some widgets being more akin to mini-applications, chances are you’ll get more use from them in this form than if they were hidden behind F12 (or F4 if you’ve a shiny new Apple keyboard).
Mac OS X ninjas will no doubt start bellyaching that Amnesty Singles doesn’t really offer anything you can’t do yourself. And, yes, if you’re keen to muck about with Terminal, you can toggle Dashboard’s dev mode and detach widgets from Dashboard. However, you don’t get the flexibility that Amnesty offers, nor the ability to hide and quit widgets like regular apps, nor the ease of use.
If you can’t figure out how Amnesty Singles works, there’s really no hope for you.
Amnesty applications can be created as standalones or by loading the widget from disk.
Further information
Manufacturer: Mesa Dynamics, LLC
Price: $9.95
URL: amnestywidgets.com
Written by Craig Grannell on June 17th, 2008 with no comments.
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Increasingly, people work online, using web-based applications for day-to-day tasks. Unfortunately, web browsers aren’t the most robust of applications—a single unruly website or advert is enough to lock up Firefox or bring down Safari unexpectedly. At best, you’ll waste time reopening a browser and signing back in; at worst, you’ll lose work and a precious little nugget of sanity.
Inspired by Prism by Mozilla Labs, Fluid offers an approach referred to as Site-Specific Browsers (SSBs). As the method’s name suggests, this enables you to create browsers for specific sites, making them akin to desktop applications. This is great from a stability standpoint—there aren’t other windows with content that can cause problems—but it’s also handy in making you focus on the tasks at hand, rather than getting tempted to check out other websites.
Creating SSBs using Fluid is child’s play—you bung a URL, name, location and icon (if you don’t have one to hand, an application icon is created based on the site’s favicon) into Fluid’s sole dialog, hit ‘Create’ and wait a few seconds. Fluid then invites you to launch your new SSB, which is basically a honed-down Safari with your site preloaded, restricted to site-specific content (click on an ‘external’ link and it launches in your default browser). Usefully, some SSBs (such as those based on online email) provide Dock badge updates, just like Mail, and each SSB can be restyled (UI, opacity, fonts) and set to various window levels. Not so usefully, Fluid doesn’t work particularly well with some sites (during our tests, Flickr was a notable culprit) until you tinker with the SSB’s advanced preferences and add some extra URLs that it’s allowed to peruse.
Interestingly, Fluid’s creator appears keen to take his application further. Recent builds have seen Fluid become a reasonable browser for general use, and while the ability to browse via Cover Flow won’t win it many friends, forthcoming tabbed browsing improvements and menu-extra SSBs mean Fluid has the potential to gain a strong foothold in the Mac browser market, rather than remaining a purely niche concern.
Cover Flow in a web browser! (Don’t worry, Cover Flow objectors—you can turn it off.)
Further information
Manufacturer: Todd Ditchendorf
Price: Free
URL: fluidapp.com
Written by Craig Grannell on May 21st, 2008 with no comments.
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If you grew up in the pre-digital age, you might fondly remember the tactile qualities of what would now be summarily dismissed as ‘retro’ recording kit. There’s a definite immediacy to a tape deck: big buttons, with large text that leaves you in no doubt regarding function, and this is something that cannot be said for the bulk of audio-recording software. TapeDeck now aims to bridge old and new.
Boot the app and a digital tape deck appears on the screen. The buttons all work as you’d expect, even making suitably chunky noises when clicked. However, SuperMegaUltraGroovy has made plenty of concessions to the modern age: mono, stereo and quality levels can be selected with mouse clicks; tapes can be labelled and relabelled with ease; and keyboard shortcuts provide an alternate means of controlling the virtual tape deck (with system-wide shortcuts also available for ‘Record’, ‘Pause’ and ‘Stop’).
In keeping with the application’s aesthetic, each chunk of recorded audio is displayed in a slide-out drawer as a cassette tape. (In reality, this is merely a pretty way of displaying the contents of the M4A files TapeDeck stores in ~/Music/TapeDeck, and so users can also manage TapeDeck recordings in Finder.) Tapes can’t be recorded over, although they can be dropped in the Trash via Command-drag (Command-dragging elsewhere copies the tape to a Finder folder).
Other handy features become evident with a little exploration. Control-click on the current tape and the contextual menu provides shortcuts for adding the tape to iTunes or emailing it. And when the drawer becomes full, you can drag tapes around until you find what you want, or use the built-in search field to hone down the displayed tapes.
Strictly speaking, TapeDeck offers nothing new in terms of functionality—the likes of GarageBand and a slew of other recording apps do everything TapeDeck can and more. Also, importing is strictly limited to M4A, which is a shame—it would be great if you could drop MP3s and audio files saved with lossless formats into TapeDeck.
However, as iPhone continues to bludgeon into people’s minds, the interface is often key, and where TapeDeck excels is in making the audio-recording process totally idiot-proof and fun. It’s not quite enough for TapeDeck to garner a Cult of Mac recommendation badge, but it comes close, and if you’re flush and fancy dropping 25 bucks on a fun, straightforward and surprisingly original take on audio recording, TapeDeck more than fits the bill.
TapeDeck: handily lacking a ‘randomly chew up tape’ option.
Further information
Manufacturer: SuperMegaUltraGroovy
Price: $25
URL: tapedeckapp.com
Written by Craig Grannell on May 16th, 2008 with no comments.
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I’m sure there’s a major discovery to be made in the world of science that would explain how my iPod headphones get tangled up so thoroughly and rapidly. It seems that no matter what cunning tricks I employ, nor how tidy I try to be, my headphones always appear in a knotted mess when I want to use them, which tends to make me angry on the scale of ‘want to kick a puppy’. Surprisingly, then, I really like Tangle, which, in a broad sense, is rather like untangling a set of iPod headphones or ten.
It’s safe to say that Tangle is gaming at its purest level. There are no characters or storylines. Instead, there are a bunch of green circles, connected with gray lines, displayed in an aesthetic manner that most 8-bit computers would have little trouble with. The idea is to drag the circles around until no lines are crossed, whereupon you’re provided with a jaunty little jingle, a time, and a means of accessing the next level (which has more lines to uncross).
Tangle isn’t rocket science—it has a kind of mindless quality that’s akin to Tetris. But as most people who’ve sampled Alexey Pajitnov’s classic will testify, it’s often the simplest games that are the most enduring. Although Tangle isn’t on a par with the Russian block-stacking game, and, frankly, is a little overpriced, it’s still a fun title to while away the odd half-hour. And despite the extremely basic visuals, on-screen feedback is clear, and the online leaderboard enables you to pit your capabilities against Tangle ninjas around the world.
If this reminds you of your iPod headphones, I sympathize. I really do.
Further information
Manufacturer: MC Hot Software
Price: $20
URL: mchotsoftware.com/tangle/
Written by Craig Grannell on May 9th, 2008 with no comments.
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